This Space Intentionally Left Blank (interview)
Interview by Julia Sackett concerning Loughlin's solo show This Space Intentionally Left Blank
Quand le Bitcoin s’invite sur le marché de l’art
Article in French about Bitcoin Payday and Five Neon Signs. Contains a purely fabricated quote attributed to Loughlin.
Easy Money: Will the Art Market be Bitten by the Bitcoin Bug?
Art + Auction Magazine features Bitcoin Payday in an article about bitcoin and the art market
In Federal Bitcoin Auction, an Art Performance
Coverage of "Five Neon Signs" in the San Francisco Chronicle
US Government to Auction Massive Bitcoin Trove
CBS News coverage of "Five Neon Signs"
This Artist is Using His Work to Bid on Bitcoin
Coverage of "Five Neon Signs" in artnet news
Online Art Gallery Experiments with Bitcoin Payments
Coverage of "Five Neon Signs" in CoinDesk
SFAQ REVIEW: “Incursion/Recursion” group exhibition in the Room for Big Ideas (RBI) at Yerba Buena Center for the Arts, San Francisco.
"The focus of 'Incursion/Recursion' ranges between truth, perception, consciousness and experience, with Min drawing parallels between isolated systems in physics and human systems. "
KQED interviews Tom Loughlin
KQED pop visits the 2013 SFAI MFA show, "Currency," and interviews Tom Loughlin
More is more and less is more, too - SF Chronicle
"Dark vaults downstairs provided a kind of ominous set for edgier works. At one point, experiencing Tom Loughlin's sound-based work, I climbed onto a wooden platform to allow tones radiating from below to vibrate through my body."
SFAI MFA Students Overtake the Old Mint in 'Currency' - KQED
"On the opposite side of the spectrum, dark, moody, and slightly spooky works are particularly well-suited to installation in the Mint's thick-walled downstairs rooms and vaults. In one excellent pairing, Dimitra Skandali's delicate seaweed chains droop overhead while Tom Loughlin's booming sound installation, Foghorn, makes the floor shake ominously."
“Currency” — SFAI’s MFA Show @ The Old Mint
"The biggest buzz – literally — came from Tom Loughlin’s installation in the basement, Foghorn. It consisted of a strategically placed subwoofer whose low-frequency emissions vibrated the granite walls, and whose tonality replicated a distant foghorn. The only visible elements were a wool mat on an elevated platform. Laying in that softly lit, dank space, absorbing the sounds, put me in meditative state — but it also put me in the mind of what prisoners at Alcatraz must have felt waiting out their sentences. For site-specific relevance nothing else in the show compared."
pictures of you: Images from Iran
Loughlin's traveling multimedia installation featuring portraits of ordinary Iranian citizens printed on translucent fabric.